The Short-Lived Love Affair Between the Hippies and the Bikers

HA & hippies

In the mid-1960s in San Francisco, the hippies had established a strong foothold in the community.  Haight-Ashbury, Golden Gate Park, the Panhandle and other areas had effectively been taken over by the influx of young people who were seeking a new way of life, free from the constraints, rules and norms of the previous generation.

At the same time, bikers like the Hells Angels were also firmly entrenched in the city and had been since 1953 when the San Francisco chapter was established. Taking a house at 719 Ashbury in the late sixties, they were in direct contact with the hippie population, which swarmed the neighborhood streets by this time.  Local musicians, the Grateful Dead, lived in a Victorian right across the street at 710 Ashbury.

Initially, the two groups shared a close bond.  Both considered themselves outside of society, living lives that were out of line with the norm.  Sex, drugs and rock ‘n’ roll, independence and a deep mistrust of authority, police and others created a shared understanding.  Several Hells Angels became celebrity figures in the community, including “Chocolate George” Hendricks, “Harry Henry” Kot, and Oakland members John Terence Tracy or “Terry the Tramp” and George “Baby Huey” Wethern, who provided the Haight with LSD.

In 1968, writer Tom Wolfe’s book, The Electric Kool-Aid Acid Test, documented the relationship between the hippies and Hells Angels, which began in 1965 when the club was invited to a huge two-day party out at Ken Kesey’s three-acre property in La Honda, up in the Santa Cruz mountains, a private and peaceful (usually) location with boundless beauty and plenty of  mystical and spiritual ambiance.

BB&HC poster2

After introducing the bikers to acid, free love, music, DayGlo paint and other hippie trappings, an alliance was formed.  The partiers included many notable characters from the counter-culture including Ken Kesey and his Merry Pranksters, journalist and writer Hunter S. Thompson, Neal Cassady, Richard Alpert (Baba Ram Dass) and Beat poet Allen Ginsberg.  You’d think that these people would have about as much of a chance at blending together as oil and water, but despite the obvious polarity between the two groups, a bond formed that August that set off a short-lived coexistence.

There are several reasons why these groups came together and then just as quickly (two months later, the Oakland Hells Angels, led by Ralph “Sonny” Barger,  literally attacked the Vietnam Day Committee (VDC) during a large protest of the Vietnam War).  At odds with their anti-authority stance and outlaw lifestyle, the Angels were staunchly patriotic. The club had been formed in 1948, made up largely of returning servicemen from WWII, and thereafter became a sanctuary of sorts for veterans of all subsequent wars who came back from combat and service feeling lost, angry and in dire need of communing with a brotherhood of like-minded men as well as craving that adrenalin that war provided, for better or worse.

One reason that the two groups melded at Kesey’s party was because the counter-culture elite was made up of people who admired authenticity, an outlaw attitude, and disregard for authority and society’s imposed rules.  Kesey saw the Angels as the epitome  of what he preached as “real”; the Angels lived the way they wanted.  They did whatever the hell they wanted and didn’t care who didn’t like it.

Another reason this initial dance went off so splendidly was because the Hells Angels liked to party.  They liked sex, drugs and rock ‘n’ roll and Kesey and his intellectual friends were offering it up to them  for the taking.  Under the influence of good acid, the two groups intertwined like old friends, reveling in the hedonism that the Angels embodied.

When the Angels agreed to attend the party up in La Honda, they were greeted by a large banner reading: “The Merry Pranksters Welcome the Hells Angels”, in red, white and blue lettering.  Police cars kept vigil outside the gate as the festivities commenced and didn’t interfere much.  If they had, they would have found the Angels (and others) gang-raping a young woman who by most accounts willingly participated in “pulling a train”.  The girlfriend of Neal Cassady at the time, she reportedly had become jealous of his flirting with poet Allen Ginsberg and sought to give him a dose of his own medicine, taking things a bit further for a more dramatic effect.

As the hippie culture began to derail in the late sixties (many were leaving for a communal life outside of the city by then), the relationship between the two subgroups dissipated.  After the incident with the VDC and the Oakland Hells Angels, hippies realized that the Angels, in fact,weren’t  their advocates, allies or even friends.  However, there was a huge difference between the Oakland Angels and the San Francisco Angels, some of whom were genuinely friendly and kind to the hippies.  In fact, member William “Sweet William” Fritsch had been a member of the Diggers with Emmett Grogan, Peter Coyote and Peter Berg, among others before becoming a Hells Angel.

Altamont-Mick, Charlie & Bill Fritsch

Later, in 1969, Fritsch acted as a bodyguard of sorts to the Rolling Stones at Altamont, where the two factions came together and then clashed for a final time.  The Hells Angels had been hired as a security force for the free concert by the Stones, in part because they were known to be friendly with the San Francisco musicians of the day like the Grateful Dead, the Jefferson Airplane and others.  Unfortunately, and for too many reasons that I won’t go into here, things didn’t work out as planned and the concert, which ended with a concert-goer being stabbed to death by a prospect of the San Jose chapter right in front of the stage, went down in the eyes of some as the event that put the last nail in the coffin of the 1960s.

In my novel, “Red, White & Blues:  Book One”, bikers and hippies come together and largely remain friendly.  Members of the fictional motorcycle club, the Souls of Liberty (SOL) are a mix of Vietnam veterans, thrill-seekers, lonely and disaffected souls and even a rebellious rich boy.  What keeps some of the members friendly with their hippie counterparts is the fact that their worlds intersected early on through a key member of the SOL before he had joined the club as well as when the group of friends re-locates from San Francisco to Monterey, CA.  A close bond develops between the Vietnam veterans in the club and the vets who are part of the hippie group.  As time goes by, the groups criss-cross one another’s paths constantly via fourth of July parties, weddings, Halloween balls and businesses owned by members of the club and affiliates.  SOL member John Clark’s wife, Edie, owns the small-town cafe where both club members and hippies come to eat; Mike Blackhorse owns an auto repair shop where a member of the SOL works; the club owns a strip club and bar where bikers, Vietnam vets and occasional hippies go for a beer or two.  While there are infrequent clashes between the groups, their shared history and continuous crossing over into one another’s lives keeps the two groups more or less friendly for the rest of their lives (the saga will continue in two upcoming books).

Of course, this is what fiction allows an author to do:  create a world where the unlikely becomes believable (hopefully).



All Things Must Pass: The Legacy of Russ Solomon and Tower Records

Tower El Toro front 1.11.26 PM

Tower Records, El Toro, CA #138. My home sweet home for nearly fifteen years.

Russ Solomon, the founder of the late, great record empire, Tower Records, couldn’t have gone out in a more fitting way.  Watching the Oscars with his wife, commenting on how ugly he found someone’s clothing, he requested a bit more whiskey.  When his wife returned with it, she found him dead from an apparent heart attack.  Russ had gone out with a bang with all of his feisty spirit intact.

Tower Records was an important part of my life from an early age.  Living in Southern California during the seventies, the closest Tower to us was the West Covina location (we lived in San Dimas).  Although I rarely visited, I remember requesting records for my mother to pick up while she was out shopping.

Our house was always filled with music.  Both my parents loved and listened to rock ‘n’ roll.  My father loved the Rolling Stones, Beatles, Creeedence Clearwater Revival, Chicago and others.  My mom was a big Janis Joplin fan.  After they got divorced, my mother’s taste grew to include artists like Neil Diamond, Helen Reddy and, of course, the disco-era music of the Bee Gees.  When Saturday Night Fever came out, we went to see it as a family (with my step-father) and every Saturday or Sunday morning, the soundtrack would click into the 8-track player.  Us three kids spent weekends at Dad’s house in Newport Beach.   As a handsome, single lawyer, he was open to having a varied record collection, often influenced by the music of the girls that he was dating.  Added to the familiar Stones and Beatles albums were music by Heart, Jefferson Airplane, Donna Summer and Bob Dylan.

As I came into my teenage years, I began to develop my own taste.  Having my own stereo system in my room allowed me to explore and experience music in a way that perhaps other kids didn’t.  I never realized how lucky I was to have that luxury; I thought all kids had their own stereos!  My younger brothers loved KISS while I gravitated toward Aerosmith.  My Donny Osmond crush had matured; I was now in love with Steven Tyler.  I also listened to a lot of radio and because I had access to a stereo, I made mixed tapes, mostly of dance and disco music, that made the rounds at my junior high school, especially among the many black kids that attended there.  And although I was genuinely friendly with many of them, I was also very naive as I found out that many of them thought that I was a “wannabe”, a term that I learned about the hard way when one of them taunted me in the hallway, sing-songing, “Be whatcha wannabe!”, implying that because I listened to black music I wanted to be black.

When we moved to Mission Viejo in Orange County, I was a lonely, awkward fourteen-year-old, getting ready to start high school in a brand-new town with no friends.  Music, my ever-present friend, was there to ease my pain.  After a rather enlightening introduction to FM radio stations like KLOS and KMET and the ground-breaking KROQ, I spent most of my free time in my room, surrounded by my Rolling Stones posters (I had forsaken Steven Tyler for Keith Richards by this time), listening to classic rock and new music and on Sunday nights, the Dr. Demento Show.  DJs became important and loyal friends.

A job stuffing newspapers for my stepfather’s early morning paper route allowed me my own money and where did I go to spend it?  Tower Records in El Toro.  Whether my mom took me or I rode my bike there, I spent hours on each visit, flipping through the record racks while wondering what was behind that beaded partition in the poster section.  (At the time, this Tower location still had a head shop; too bad I was a tad too young to benefit from it before it was removed).

My record collection grew and grew and included all the Stones albums and records from my youth, but now with new music like the Pretenders, Pat Benatar and the soundtrack to The Decline of Western Civilization.  My mother had always been a small theater actress and loved to give cast parties.  I remember at a  particular one there was an English fellow, who was a member of the cast, who knew that I was a Rolling Stones fan.  He handed me the Marianne Faithfull album, Broken English, and told me I’d love it, but no to listen to it if my mom was around (a reference to the explicit lyrics in the song, “Why’d Ya Do It?”).

When I graduated in 1983, I went to live with my dad in Newport Beach while the rest of my family moved to rural Fallbrook.  I spent a year lazing about before my dad demanded that I get a job.  A trip to El Toro to get my hair cut led to a tip from my hairdresser, to whom I’d mentioned I was looking for a job.  “Go over to Tower,” he had said.  “Ask for Robert.”

Sporting a short skirt and a trim figure, I followed Robert, the store manager, into the back room where I was briefly interviewed and given a job working the Ticketmaster counter Tuesday through Saturday.  I had no idea what a punishment that was until later (that is another set of stories unto itself), but my nearly fifteen-year career at Tower Records began that April day in 1984.  I was nineteen.

Besides the dreaded Ticketmaster counter, I also worked in the new video section where my knowledge of foreign and independent films was fostered.  On the record side, my musical tastes branched out to include Bauhaus, the Cocteau Twins, the Cure and other so-called Gothic musicians.  Later, I became a Deadhead and followed the band around Southern and Northern California.  Still later, I learned about rap, international, jazz, vocals, grunge, metal and cocktail/lounge music.

And the friends.  Where do I begin?  A vast age group ensured that we all learned from one another as did the expertise of those that ran each music section.  Charlie, our fearless classic music buyer, was renowned throughout not just the county, but the state, it seemed.  Customers came from far and wide to listen to his advice and suggestions on not only specific composers, but symphonies, conductors, soloists and more.  An extremely smart and eccentric fellow, he could spend hours ruminating on not only classical music, but Egyptian history, science, lemurs and other exotic animals, the Grateful Dead and Frank Zappa.

Bob was our jazz buyer and he, too, knew his subject inside and out.  An accomplished musician, he played washboard in the South Frisco Jazz Band, who at one time was Disneyland’s New Orleans Square house band.  Bob knew everything about jazz, but also had a keen interest in World War II memorabilia, notably German uniforms, medals, runs, etc. and was also an avid train enthusiast.

Oh, the crazy times we had back in the day!  Kids these days couldn’t conceive of what went on at Tower back in the eighties and nineties. Sex, drugs and rock ‘n’ roll is a good start, but I don’t use those terms rhetorically.  Literally, I mean there was sex, drugs and rock ‘n’ roll going on at the store.  Hours-long lunches with record label reps where the alcohol flowed like water; Christmases with schnapps bottles stashed under the counters; breaks out to VW vans where copious amounts of pot were inhaled; cocaine snorted off records and sex in cramped bathrooms and makeshift offices.  Ah, yes, these were good times, my friends, never to be seen again, at least in that type of abundance and acceptance.  It was a good time to be alive and young!

After a few years in the video department, I moved over to records where I was the assistant tape buyer for a while before becoming the record buyer (probably the last one as CDs were already on their way to taking over).  Bob and I were appalled and wore our “Save the LP” buttons proudly every day to no avail.  When the receiving clerk announced he was leaving, I jumped at the chance to work in the back room and to have a Monday-Friday, 8-5 schedule.  I approached Robert and asked for the position and I stayed on as the shipping and receiving clerk for my remaining eight years.

Soon after, Robert left to go and manage the Boston store and in came out new manger, Dennis.  I was apprehensive at first; we all loved Robert, despite his sometimes explosive temper.  But Dennis and I soon became close friends.

My decision to leave Tower was a difficult one, but I sensed that big (and not good) changes were around the corner.  Our store was moving to a new location and was to be combined with an audio retailer, The Good Guys; my raises were too small and infrequent.  My heart was beating out of my chest as I approached Dennis to tell him that I was leaving.

It wasn’t long before my intuition panned out and the new location closed.  It was heartbreaking; some of the old employees were still there, including Charlie, who really had no other prospects.

Over my years at Tower and beyond, I kept in touch with everyone and hosted a big Halloween party yearly, which served as a reunion of sorts.  I became the Mother Hen and archivist for our store location, good, old Tower El Toro, #138.  Many ex-employees had moved away, but with the introduction of the Internet and Facebook specifically, we all found one another again and picked up right where we had left off.  Our Tower family was intact once again and more than one of us joked that Facebook had been invented for Tower El Toro employees to find one another again.

In 2015, I heard about the Tower Records documentary that Colin Hanks had made, All Things Must Pass.  An exclusive screening and reunion was to be help in Sacramento, the home of Russ Solomon and the original Tower Records location.  I had to go and there I met Russ for the second time.  I had met him in 1990 when a Tower friend and I took a road trip to Sacramento to visit her family.  While there, we stopped by the Tower corporate office where we were greeted warmly and given a tour, then asked if we wanted to meet Russ.  Of course we did!  We were shown into his office and there he was behind his desk, music memorabilia surrounding him on the walls, shelves, etc.  We talked for a few minutes and he asked if he could take us to lunch-what a surprise and honor!  Russ took us to a restaurant on the riverfront.  He was gracious, kind, engaging and funny.


Me and Russ at the screening of “All Things Must Pass” and Tower reunion, Sacramento, October 2015.

After viewing the documentary with hundreds of other Tower employees, Colin Hanks and Russ himself; going to parties and events around town and meeting a lot of new Tower friends, I came back home and decided to have my own reunion for our store, Tower El Toro.  I got to work planning it and in October of 2016, I hosted fifty friends from as far away as Colorado for a day and evening of music, food and reminiscing.  Reconnecting with old friends was good for our souls and once again, our Tower family was together.  No other job (I hesitate to call my time at Tower a “job”; it was more like hanging out with friends everyday, listening to music) created the bonds and camaraderie that Tower did.  We are a worldwide family and when we meet another member, we embrace one another as an unquestioned member of our special tribe.


Tower Records, El Toro, CA #138 Reunion, October 2016.

I consider myself among the lucky ones who can claim membership in the Tower family. The friends I made are lifelong, the music I was exposed to will be forever in my soul and the memories will keep me smiling until I die.  Thank you, Russ, for creating the most magical, wondrous infusion of freedom, music, individuality and common freakiness the world may ever know.  The misfits found a place to call home, a forever family to belong to.  Rest in peace and we’ll all see you on the other side.

Why Indie Writers are Important to Readers

A recent blog from a fellow indie author…

J.D. Adamsson

There’s been some publicity recently about the lowering standards of books, about how indie writers have an overblown opinion of their abilities. Generalisations like that are rarely accurate, things are just never that simple.

to the lighthouseThere are many writers in this world. The natural geniuses, who still nevertheless need a firm hand in editing, spelling and developmental input. The ones who aren’t great at the start, but love reading good literature, who want to write too and who put in the study and hours to improve their skills. There are those who have ideas, maybe good, maybe not so good, who perhaps have enough funds to pay a ruck of line and developmental editors to make their stories shine. Some even go as far as hiring ghost writers to write their ideas for them, and who then take all the credit, but they aren’t really writers (no famous names named). There…

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Upcoming Book Signing, Reading and Slideshow, Saturday, October 14 at Pipe & Thimble Bookstore, Lomita, CA 11AM-2PM




Book Signing at Pipe & Thimble Bookstore in Lomita, California

I will be reading from and signing copies of Red, White & Blues:  Book One” as well as playing a slideshow that will showcase events, fashion, culture and music from the years that the novel takes place:  1964-1977.

If you are in the area, please stop by!  I will have copies for sale, but if you have your own, please do not hesitate to bring it!

Thank you for your support of indie authors and bookstores!  Please be sure and review and recommend “Red, White & Blues:  Book One”!

Sgt. Pepper’s Lonely Hearts Club Band 50 Years On


I must begin this blog by admitting that I was two years old when the Beatles Sgt. Pepper’s Lonely Hearts Club Band was released.  I grew up already knowing the music, well aware of rock ‘n’roll through my parents’ record collections and as I grew up, my own.  Music was an important part of our lives.  The radio was always on in the car when going anywhere.  At the house, the Beatles, Stones, Creedence Clearwater Revival and Janis Joplin blared from the stereo system, located in the living room.  My dad recorded me and my two younger brothers on eight-track tape singing along to “Joy to World” by Three Dog Night.  “Jeremiah was a bullfrog!  Was good friend of mine…”

I had my own stereo system in my room from an early age.  I could listen to my own records in my own room (Disneyland’s Haunted Mansion was a favorite, as was the 1970s classic kid album Free to be You and Me, featuring Marlo Thomas and Mel Brooks).  Later, I received rock records for my birthdays and Christmas and my great love of music took off.  Growing up in an upper middle class neighborhood, I had no idea how rare it was to have your own stereo and records until I began going to school.

Although my parents didn’t have the Sgt. Pepper album, I was given the Beatles double anthology album (or blue album) as a present one year.  On it was the song “A Day in the Life”.  I remember being terrified of it (perhaps the crescendo in the middle did it).  I was a rather sensitive child, prone to a vivid imagination and nightmares.

I’ve since lost my fear of most things, including “A Day in the Life”.  With the fiftieth anniversary of the album I decided that I should listen to it from beginning to end through headphones.  Over the years, I have often thought about and marveled at what it must’ve been like to experience that album for the very first time, to experience the birth of psychedelic rock.  Being born into rock ‘n’ roll, it’s impossible to conceive of a time when it was new.  What could that have been like?

I cued up the album and began my morning walk, a four-mile roundtrip through the better part of town, which is across the street from where I live.  I concentrated on the music and the nature around me:  large trees lining the streets, beautiful flowers and interesting plants, squirrels and occasional cats, birds and insects like huge, bumbling scarab beetles and monarch butterflies.

Being so familiar with the album, it was hard to listen to it with the fresh ears that I’d hoped I could.  The diversity of the music on the album is the most evident thing to me.  From the opening track (“Sgt. Pepper’s…”) and subsequent segue way into “With a Little Help From My Friends”, the mood seems playful, cheerful.  Following is “Lucy in the Sky with Diamonds”, which John Lennon has sworn ad nauseam has nothing to with LSD, but listening to it you can’t help but put the two together.  I must confess that as a twenty something-year old Deadhead in the mid-1980s, I took LSD on several occasions, but never experienced anything remotely like what is described in the song.

Onward.  “Getting Better”-another jaunty number, followed by “Fixing a Hole”, a song that always really appealed to me for some reason.  “She’s Leaving Home”, with its timely tale of a young girl running away to find her true life/self being sung so beautifully over that sort of rambling, Victorian-sounding music and then the strange sounds of “Being for the Benefit of Mr. Kite!” and that BOOM-CHA, BOOM-CHA beat behind the swirling carnival music!  That must’ve been a revelation.

It is morning, but not too early, around 8:00 or so.  The sun is out, there’s a nice breeze.  I am looking up through the trees, seeing the streaks of rainbow sunlight pulse through and “Within You Without You” begins.  I am a huge fan of Indian music as well as other Eastern sounds like Moroccan music.  I listened and kept my eyes skyward and finally caught a glimmer of “that feeling”, what it must’ve been like to hear something so new and unimaginable.

“When I’m Sixty-Four”…well, when I hear that song now, I think, “Most of the people that heard that for the first time in 1967 probably ARE sixty-four or older…”  I also think that I myself will be sixty-four in a mere twelve years and how impossible that seemed to me when I was twenty.  “Lovely Rita”, never one of my favorites, but it never fails to make me smile and think of my own dear friend, Rita (who is not a meter maid).

“Good Morning Good Morning”, a brassy, sort of balls-out young man feeling his oats song with all those farm animals blasting off behind him.  This is followed by a second, more rocking version of “Sgt. Pepper’s…” that followed by the dreaded “A Day in the Life”.

Since I have since lost my fear of the song, it’s hard for me to realize what was so terrifying about it, but it’s a snarky song, to be sure.  A statement on the burgeoning state of disengagement from the world and its events, kinda like how things are today with social media.  At least parts of it seem that way to me, a human who has skyrocketed from living in a world where riding your bike unattended all day was the norm and plastics were more than okay to one where kids and adults alike live vicariously through their computers and are deathly afraid of using microwaves.  (I am fully aware that my perceptions about this song are wrong, by the way…)

And how about that last bit of weirdness at the end of the album?  Back in its day, you’d have thought that the record was defective since that bit with the noise and the indecipherable muttering (actually Paul McCartney saying, “Never could see any other way”) stuck in the run-out groove and played over and over until the needle was picked up.  Clever boys, those Beatles.

I guess the only real way for me to fully appreciate the brilliance and absolute revelation of the album is by learning of all that went into its creation.  The Beatles before this time could be easily categorized as a very talented pop/rock group, but once Sgt. Pepper’s came out, the sky cracked open and people’s heads exploded with new ideas about music.  Of course, there is also the time in which the album came out.  Nineteen sixty-seven was the Summer of Love.  Young people all over the world were dismissing old ideas and conservative ways of living, they were dropping acid and believing, really believing that if the entire world were to turn on, tune in and drop out, there would be world peace, communal living, money would no longer be valid, hunger would end and all preconceived notions would be universally and immediately dismissed.  Music was a part of all of this-a big part.  Back then, musicians often set the pace and tone of the times, they were a tangible part of the youth culture.  People listened to them.  (This could also go horribly awry, as when Charles Manson claimed that the Beatles were speaking directly to him through the White Album, also known as simply The Beatles.)

I have many friends who are older than me, who actually did experience the birth of psychedelic rock, who heard Sgt. Pepper’s Lonely Hearts Club Band with fresh ears and minds.  I envy them because as hard as I have tried, I cannot imagine the world before it.  Since those breakthrough years of rock ‘n roll, when electric guitars went freeform and wild, drums went tribal and loud and singers lost themselves in soulful self expression, there hasn’t been any movement in music as important or groundbreaking.  And that says an awful lot about a great many things.

An Indie Authors Call to Arms

fist with pen

Last weekend, I went to the Grand Opening of a little bookstore here in Southern California.  After the ceremonial ribbon cutting, we all filed inside and were met with creative shelving and displays bearing indie author-only publications.  My own book was there, tempting potential readers with a face-out display on one shelf and a spine view on another.  Several other indie authors were on hand for the opening as were readers who benefitted from the ability to actually see, pick up and look through an independently published title.

I come from the era of book and record stores.  The joy of discovery I would get by being able to browse shelves and racks for as long as I wanted, picking up books and records, reading their stories or taking in the artwork is something that many of us recall with great fondness.  I worked at Tower Records for 14 years and saw many changes in the industry, culminating with the eventual demise of the brick and mortar stores altogether.

Record stores have definitely begun to make a comeback and there are many very good shops now where one can experience the excitement of finding a treasure that you never knew existed or picking up a long-lost favorite.  I am hopeful that bookstores will have the same renaissance soon.

Pipe & Thimble Bookstore is at the cutting edge of this trend that I hope will spread across the country.  Brave co-owners Barb and Ellie Lieberman, mother and daughter authors themselves, understand the challenges indie authors face with marketing and reaching potential readers.  Supporting businesses like theirs will encourage others to strike out on their own and hopefully we will see more local businesses be open to independent authors and artists of all kinds.

In tandem with this, I am calling for all indie authors to embrace our unique situation and world with a new twitter, Facebook, Google, Pinterest, etc. call to arms-a new hashtag:  #readrecommendreview.  I call this the Three R’s and if we all attach this to our posts in some form or another, perhaps we can turn the tide a bit in our favor.  Pipe & Thimble Bookstore is onto this as well by providing book buyers with a complimentary lollypop with an accompanying request to review the book that they have just purchased.  While many people download our books and some even read them, few people take the time to post a review and they might not realize how much it means to us authors to have them do so.

Pipe & Thimble message

So let’s get to work, comrades!  Let’s start using the Three R’s in all of our social media and correspondence.  Let’s start a new movement in the indie author world!

Spread the word about Pipe & Thimble if you feel so inclined and if you’re in Southern California, be sure and stop by (Pipe & Thimble Bookstore, 24830 Narbonne Avenue, Lomita, California  90717).